Her interest is in the human form and its relation to the organic found in nature. She takes her inspiration from the landscape and the natural world, especially the South Downs where she lives. She has always tried to express something of the spirit within rather that an illustrative interpretation of the human form, and she was influenced greatly by the inner power expressed in the Buddha sculptures in Japan, where she lived and worked for 5 years.
An abstracted female sitting figure, the forms based on the opening petals of a flower. Exhibited at RHS Wisley Garden; Pelham House, Lewes; and Art Park, Guernsey. `Stephanie Davies-Arai`s `Sitting Female`, a sinuously sculpted homage to fertility in Portland stone is a pure abstract form that conjures an opening flower` - Beatrice Phillpotts, Surrey Advertiser Arts Review 2008
This sculpture was part of a series of simplified abstracted female forms, all of which used three basic forms emerging from a central negative point of energy. This was the first to open up that central point into a negative space. The piece is very organic and sensual; from the side the back arches, and the two legs fall open from the central triangular space formed by the meeting of the three forms
40 x 33 x 53 cm (height x width x depth)
approx: 1 ft 3 3/4 in x 1 ft 1 in x 1 ft 8 6/7 in
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